Double Take Projections had to overcome massive geographical obstacles and find locations on the bank where we could hit the columns without the structure casting shadows on itself. Gaining access to a site, which was still under construction, to plan our projection mapping presented its problems. We created a full site survey and dimensions of a physical structure that wasn’t yet on a map. We had to laser measure different elements of the partially constructed façade.
As well as heading the project, they also wanted Double Take Projections to create compelling images and videos that would resonate around the world. Our graphic designers created a sensational bespoke tartan animation which was projected onto the pillars of the bridge. Using a variety of techniques, we created photographic and 3D Models that formed the template for each of the facades we intended to project on. We then used this data to inform the shape and design of the content. We interviewed kilt-makers about the weaving process, allowing our studio to design a tartan based on Rosebery Colours and Caledonian Tartan.
We were the head production company with full control over the entire budget of the event and the aesthetic requirements. Everyone involved in the production on the bridge lighting was managed by Double Take Projections in conjunction with the Scottish Government. Double Take Projections contracted and led eight separate suppliers, making sure they met their contractual obligations as well as strict health and safety requirements on the bridge.
